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Aan - 1952
A critically acclaimed movie in India as well as abroad, and Aan had many firsts to its credit. The first Hindi movie to be shot in Technicolor, the first Indian movie to be released world over in more than 25 countries not just the Soviet Union but in US, UK as well and first ever to release in Japan with subtitles in over 15 languages by the name of ‘The Savage Princess’. Aan also launched the career of Nadira. It was praised by the foreign press as well as personalities, in fact the Hollywood great Cecil B. DeMille personally wrote to Mehboob Khan the producer and director of the movie; praising it. It was the most expensive movie made at that time in true Mehboob Khan Tradition, no expenses were spared but collected 10 times over on the Indian and worldwide Box Office. It was the first movie to be dubbed and released under the same name in the south. This costume drama abou ....
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Ganga Jumna 1961
Hindi cinema had a love affair with dacoit stories beginning from Mother India, Ganga Jumna and through ‘60s thru to Sholay. Many great movies were made on the life and times of dacoits, roaming the Chambal ravines and other places in the Hindi heartland of India, even to the extent of glorifying them. Movies like ‘Jis Desh Mein Ganga Behti Hai’ and ‘Mujhe Jeene Do’ also stand out in the crowd. Ganga Jumna was also of the same genre but the difference was that no cinematic liberties were taken while narrating the tale on screen and a village pastoral style and substance was adhered to. It had genuine dialogues in chaste Awadhi/Bhojpuri dialect which the star of the era Dilip Kumar delivered with absolute ease, thus putting him into a different league of actors and is not called a thespian for nothing. This movie belongs to Yusuf Khan aka Dilip Kumar, he gave a spirited perfo ....
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Mughal e Azam 1960
When cinema falls in love with history a Magnum Opus like Mughal-e-Azam is produced. Though a tale from an unverified chapter of history, it is known for its opulence and huge sets and big budget. It was truly K. Asif’s work of passion that bought it from the brink of shelving as it took a long time to make. It was started in late ‘40s with a totally different star cast and did not work out as partition took place at the time and many people linked with the film either migrated to Pakistan or died in the process. Mughale-e-Azam was finally green lighted by the famous businessman Shaporji Pallonji, with no cost was spared to bring the story to life on the celluloid. Made with an unheard of budget of Rupees 1.5 Crore at that time, it went on to become a superhit garnering more than seven times over. Though most of the film was shot in Black and white at the time of its release on 5t ....
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Editorial
Dilip Kumar felicitated by World Book of Records, London

Veteran actor and a Padma Vibhushan awardee Dilip Kumar, the legendary thespian of Indian cinema is felicitated by the World Book of Records-London for his unparalleled contribution to the Indian Cinema The World Book of Records is spearheaded by Santosh Shukla, an advocate of the Supreme Court, DG and adjudicated by Usman Khan of World Book of Records and a music Director…

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