Marathi cinema has long been celebrated for its sensitivity and rooted storytelling, but Baapya — directed by Sameer Tiwari, ventures into territory rarely explored on screen. The film’s very title refers to individuals who do not fit neatly into the categories of male or female, signaling its bold thematic core.
Overall, the film touches your heart and makes you shed tears because the characters resonate deeply. As a viewer, you get so involved that you instantly and impulsively feel like giving the film four stars. We hope audiences embrace it just as warmly, though the problem often is that good films don’t run while weaker ones do. Sameer Tiwari has offered something truly different.
A Brave New Voice in Marathi Cinema – Baapya
The highlight of the film is the aesthetic way in which director Sameer Tiwari has handled such a sensitive subject. Girish’s younger character falls in love with a girl who outwardly appears female but inside carries the spirit of a boy. This is a complex and rarely explored theme in Marathi cinema, making it difficult yet refreshing for audiences.
Set against the serene backdrop of coastal Konkan, Baapya is a heartwarming tale of family, identity and acceptance. Rajshri Deshpande delivers a nuanced performance, portraying Shailaja in some scenes and Shailesh in others, embodying the fluidity of her character with remarkable precision. Girish Kulkarni as Anya, brings depth and sincerity to the role of her partner, navigating love and societal expectations with quiet strength.
Outstanding performances
Aryan Menghji shines as Sanju, Anya’s son, whose bond with his mother forms the emotional anchor of the film. Another strong character is Devika Daftardar, who marries Girish after his divorce from his first wife. Devika is excellent as Anya’s second wife. Shrikant Yadav, who rarely gets substantial roles, shines here in a non-villainous part as Girish’s friend. Anand Karekar, though in a smaller role as Shailaja’s brother-in-law, adds credibility to the ensemble.
The true highlight of Baapya lies in Sameer Tiwari’s sensitive direction. He handles a complex subject—the experience of a young woman who outwardly appears female but internally identifies with a male spirit—with grace and empathy. This layered narrative challenges traditional notions of gender and identity, offering Marathi audiences a perspective seldom seen in regional cinema.
Emotional Impact of the film Baapya
What makes Baapya unforgettable is its emotional resonance. The film tugs at the heartstrings, drawing viewers into the struggles and triumphs of its characters. By the time the mother and son reunite on a bench by the beach, audiences are left teary-eyed yet uplifted. It’s the kind of storytelling that lingers long after the credits roll.
Baapya is not just a film… it’s a statement. Brave, path-breaking, and deeply moving, it deserves to be embraced by audiences. While good films often struggle to find commercial success, one hopes this film breaks that pattern. It is a welcome addition to the Marathi film landscape and a must-watch for anyone who values cinema that challenges norms while celebrating humanity.
With a blend of humor, emotions, and meaningful social commentary, Baapya delivers a touching cinematic experience that stays with the audience even after the credits roll.
– Review by JYOTHI VENKATESH
Raudra – Marathi film
Cast of Baapya:
Rajshri Deshpande as Shailaja and Shailesh
Girish Kulkarni as Anil Borkar
Shrikant Yadav as Shinde
Devika Daftardar as Vishakha
Aaryan Menghji as Sanju
Credits of Baapya:
Production company – Working I Films
Produced by Sameer Tewari and Muktal Telang
Written & Directed by Sameer Tewari
Screenplay by Sameer Tewari
Story by Sameer Tewari and Vikrant Katkar
Cinematography – Rao Nandakishore
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