A grand poster & music launch event of Adu–Tishu Production’s Marathi Film ‘Out Of Syllabus – Pustakanachya Palikade’ was held at ITC Grand Central in Parel, Mumbai in presence of Mahesh Manjrekar, Vaishali Sawant, Gaurav More and Rohit Mane. This upcoming film will be released pan India in Marathi, Telugu, Tamil, Kannada and Malayalam languages.
The fresh new pair of Ajinkya Raut and Advayi debut in this film. Other celebrities present were Shivali Parab, Vanita Kharat, Rasika Vengurlekar, Paddy Kamble, Kunal Meshram, Abhay Jodhpurkar, Saurabh Abhyankar, Gopal Gawande, Mohit Kulkarni and Sanjay Pawar. Lead actors of Out of Syllabus are Ajinkya Raoot, Milind Shinde, Kamlesh Sawant, Debutant Actress Adwayi, Abhijeet Ramchandra, Sanika, Sheshpal and Aniket Korde.
Creating audience curiosity, the film’s poster—featuring a ‘bookish protagonist’ engrossed in his studies and a ‘heroine gazing intently at him’ —has sparked considerable curiosity regarding the storyline. The movie presents a thrilling and inspiring narrative that emphasizes successfully navigating the trials of life, rather than merely passing academic examinations.
Produced by Dr Sugat G Waghmare and directed by Navin Deshbonia, the music of Out of Syllabus was applauded by the media and the special invitees. It’s screenplay is penned by Aniket Korde and embracing technical innovation, Sachin Manohararao Dhokane has served as the film’s ‘AI Creative Director.’ Music Director Mohit Kulkarni has helmed the musical department, while Vaishali Samant, Abhay Jodhpurkar, and Gopal Gawande have lent their melodious voices to the songs. The cinematography responsibilities were handled by Manish Kedar Vyas and Sudhir Waddeli, while the editing is executed by Anil Vitthal Thorat. Media Buzz handled the Media relations for this event.
Dr Sugat G Waghmare spells out his vision for producing Out of Syllabus to Paresh B Mehta, Editor of Filmytown.com:
As a debutante film producer, what made you choose this subject?
I have been working on this subject as my child for the past 30 years. I have observed and researched child beggars, child labour, child abuse, child marriage and child trafficking. I have collated extensive date and information on all these issues. As a team, we are about 100-180 people working together on these issues. I have done a lot of work on employment and unemployment. I have done a lot of work on Dalit Indian Chambers of Commerce and Industries. Being a National Council Member, I have been working to provide employment to thousands of people. In addition to this, the issue of Jeevala is a big issue.
How relevant are these issues to your film?
Yes. Apart from these, we have taken up issues of rampant cutting of trees, pollution, global warming, all these things are very important. How can we raise awareness on these issues? We can utilize the audio-visual medium to convey these issues to the people.
Could you elaborate on the title of your film – Out of syllabus?
This is a theme that MPC’s children are preparing for MPC. Preparing for MPC itself is very difficult average students and particularly for the children below the middle class. It’s very difficult, but still aspirational students take it. And from that, these kids see that the environment is in danger. So, to save the world, the efforts which these people are reaching out to is out of syllabus, for the environment, they have shown a journey in this film. And we tried to do a different journey. And there is always a resolution to any problem. This film delves into this awareness and promotes ‘Love Nature’.
As an established entrepreneur, what drew you to filmmaking?
A: While this is my debut as a filmmaker, my background is as a social activist and a second-generation builder. Since 1981, I’ve been expanding the construction legacy my father built, moving from Akola to Mumbai with landmark projects like Maximus City and Yogakshema Residency. I am entering the film industry now because I believe cinema is the most powerful platform to merge my entrepreneurial experience with my passion for social causes.
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What motivated you to enter film production, and what is the core purpose behind your work? What message do you hope to convey to your audience?
My primary goal is to use cinema as a wake-up call regarding our environment. We are currently playing a dangerous game with nature. Through this film, I want to show that if we continue to neglect our ecosystem, the consequences will be devastating. We are moving toward a future where even the oxygen we breathe may have to be purchased at a premium.
Beyond general pollution, the film specifically addresses the melting of the Himalayan glaciers. Our planet maintains a delicate balance between land and water; if these glaciers vanish due to rising temperatures, that balance is destroyed, putting all human life at risk. I chose this project because environmental preservation is no longer just a “topic”—it is a critical issue of survival that the audience needs to witness.
Why was it important to make this film available in other languages?
This isn’t just a Marathi story; it’s a story for everyone. Releasing it in Telugu, Tamil, Kannada and Malayalam allows us to connect with audiences across the country and share our vision with as many people as possible.
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